Insterstitial: Rituals from Betwixt and Between - London, May 4-7

Very much looking forward to seeing and being in this exhibition co-curated by Elise Oursa and Emma Black—follow it on IG @interstitial2024

I will be showing a video installation of Nature morte 2 (2023) and brand new image/text in installation pieces from the multimedia project

TO WHOM IT MAY CONCERN (Anas oustaleti) a memoir/grimoire of falling together in time and going forth by day

This new work is part of a process-heavy multimedia ritual, scrying, video, still-image, text and installation project that is my participation in the Delisted collaborative project generated by Jennifer Calkins which you can learn more about at https://www.delisted2023.com/

You can now read me on Substack: https://open.substack.com/pub/sarahfalkner/p/the-tldr-is-that-animal-sanctuary?r=bf2n&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

And if you don’t want to go to Substack, here’s the text of the post:

The tl:dr is that my 2011 genre-defying novel Animal Sanctuary is back in print! Along with some other amazing Starcherone Press books! But hopefully you actually like to read—so, here’s some backstory.

A couple of years after Animal Sanctuary won the Starcherone Prize and was published, earning a starred review in Booklist, Starcherone Press went through an acrimonious divorce. Starcherone had previously entered into what, on paper, seemed like it would be a happy marriage with a larger independent publisher, under whose aegis Starcherone would be a subsidiary imprint. Small-press literary fiction publishing rarely having been a highly profitable or easy venture, the goal was for Starcherone’s editorial team to be able to continue to present innovative, risk-taking literature while matters such as distribution could be more efficient as part of a larger outfit. But suddenly the larger independent publisher stopped making royalty payments owed, and began making irrational and punitive demands, and generally not honoring the terms of any agreements and being in breach of contract. Legal action would have been appropriate—but funding was beyond the small team’s resources.

So I’m delighted to report that Starcherone Books has recently landed in a happy relationship with Calamari Press, who “welcomes Starcherone Books to the archive. Founded by Ted Pelton, Starcherone Books (2000–15) was among the leading U.S. publishers of innovative prose fiction, both debuting new talents and supporting audiences of established avant-garde authors. These Starcherone titles are now available thru Calamari, via Asterism or Amazon, with more to come.calamaripress.com/Starcherone.htm

While I have your attention—as a Starcherone author, as a Truppe Fledermaus author, and also as a current editor for both Fence Magazine and Books and Sky Press Books, I also want to very bluntly say that if you truly value innovative writing, writers, and presses that don't obey the dictates or political (non)positions of lowest-common-denominator corporate-shareholder-driven publishing--and even more generally, if you value workers' rights, and also the potential for human multimedia cultural production to continue to exist beyond regurgitative robots, sinister algorithms, and investor profits--then please actually support it in deed as well as word, by buying some books or materially supporting the maker in some way (this also applies to: music, the visual and performative arts, etc etc). Obtain work directly from the source (whether that’s an object, downloads, or through Substack or Patreon) or from an independent retailer/distributor. Because that's actually necessary for it all to be even remotely sustainable as a continuing activity for anyone! Publishing and distribution for all manner of writing as well as music and arts gets more precarious and exploitative every year for the majority of cultural workers. I’m super-happy for folks figuring out how to earn a living from their art via channels alternative to the increasingly-extractive conglomerate media whose executives would be delighted to replace us all with AI, but your support for I believe most of us usually helps defray costs long-ago spent, staunches an emergency money hemorrhage, or maybe permits a brief hiatus from a dayjob in order to focus on a creative project.

I know that right now on planet Earth there's a gazillion urgent and worthy causes to support—and your available resources may already all be spoken for, well-prioritized for critical life-and-death causes and situations. In any case, whatever or whomever you most support, remember it/they need material support, as well as solidarity and energetic and ideological support, in order to survive, exist, or succeed.

CALAMARIPRESS.COM

Starcherone Books

Also—as a result of peer pressure, I’ve started a Substack. Not sure what I’ll be doing with it yet but here it is

DIRECTORY now on view

I have two pieces in this year's The Wrong Biennial, and you can view them online in the ANI[MA] virtual Pavilion, which is called Directory.
https://thewrong.org/Directory

Scroll down the pavilion's page and you will find:


--a pdf of the exhibition catalogue you can download
--an online parcours for the exhibition

--the Biennial has virtual Pavilions, and also appears irl embassies in various locations around the world, and video selections are streamed continuously on https://thewrong.tv/

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ANI[MA] DIRECTORY pavilion at The Wrong Biennale

 A pavilion is a virtual showcase proposed by a curator and approved by The Wrong Bienniale’s organizers to be presented alongside other pavilions from Nov 1, 2023 - Mar 1, 2024.

ANI[MA] Curatorial team: Tam Nguyen, independent curator, researcher, and writer based in Ho Chi Minh City, Vietnam; Duyen Le, exhibition designer; Lien Nguyen, curatorial assistant; and two members from A Sông collective - Mai Huyen Chi and Xuan Ha

DIRECTORY will also appear as a standalone web-based exhibition, its moving-image playlist will be available at TheWrongTV (an international streaming platform) and canal180.pt (Portugal’s national cable channel) 

https://thewrong.org/Biennale

DIRECTORY’’s séance stakeholders: 

Anti-cool
Quang Lam
Bronco Wewer
Gin To
blanche the vidiot
Nhat Huynh Vu
Vy Khanh Nguyen
dmstfctn
Kloé Nguyen
Sarah Falkner
Song Ha Nguyen
Quywn & Nguyen Thanh Tung
Nhi Le
Han Pham
Zander Porter
X______ E_____ C_____
Ngo Thanh Phuong & MORUA 



last weekend of june, I will present short scryed films in a sculptural installation / le dernier weekend de juin je presenterai des courts-métrages réalisés en devinant, installés dans une environnement sculpturale - Morlaix 29600

Seeking a professional diviner collaborator for a September online event!

Are you a professional diviner who uses Kahn and Selesnick’s Tarot of the Drowing World deck and/or S Falkner's guidebook Tarot du Monde Perdu in your practice? Kahn and Selesnick and I along with an esteemed online event and teaching organization are co-producing a free online 2-hour variety show scheduled for September 10, 2023 featuring: costumed readings and performances by Truppe Fledermaus, minisymposia of scholar-practitioners presenting through critical lenses of art history and eco/environmental studies and justice; and still and moving images from the deck and its making.

We would love to spotlight a professional diviner who works with the Drowning World deck regularly in their practice, who could do a short (10-15 mins) demonstration reading as part of the program. Interested? Please send a private message to discuss, to sarah dot falkner at gmail dot com. If you know someone who might be a good fit, I am grateful if you can connect us or let me know how to be in touch with them. Thanks! This is the deck and book in question: http://kahnselesnick.biz/store + http://kahnselesnick.biz/tarot-of-the-drowning-world

SEEKING YOUR REVIEWS AND COMMENTS!

Since the artists Kahn and Selesnick chose to publish the guidebook independently and also not distribute it through amazon dot com, it’s ineligible for/invisible to many mainstream review platforms—in the year 2023, for a book to have such an outsider stance gives its presence in some people’s lives a bit of a serendipitous-speakeasyish-word of mouth quality we in truth don’t mind a bit of, but at the same time, we recognize that many of us humans have become accustomed to crowd-sourcing context or reassurance that a book might suit our needs via user reviews, before plonking down some cash, and I have empathy for those who want to read what other readers think about a book. While eschewing corporate-mediated platforms has its merits, it also limits opportunities to participate in the Commons—reviews and being reviewed are also a way of making and being in conversation and community. So, I devised a strategy for self-publishing reviews.

I’m also, as an artist and a person making and doing things intended to be shared with other people, very appreciative when people take the time to give me feedback.

If you’re willing to share some of your thoughts and impressions of the book, whether to be shared publicly in the space below or privately only with me, I’d be supergrateful. To make the process easy, I made a Google form that won’t collect any of your email or personal data beyond what you choose to share in the spaces provided. You can find it here:

https://forms.gle/EPybuKtYznwbvNM77

And: though I’m not terribly visible or active on social media, your follows, posts, comments and spontaneous reviews there really do mean so much to us ! The artists Kahn and Selesnick and I are supergrateful for your tags and shares !

#tarotofthedrowningworld @kahnselesnick @sjudefalkner https://www.instagram.com/sjudefalkner/

Moving imageS + SOUNDS HERE

In residence (my studio next door to that of kahnselesnick) at Centre d'art et de photographie de Lectoure I am revisiting themes and methodologies from my early photographic work to make new moving image/sound. I started using the YouTube channel, and you can visit https://www.youtube.com/@SJudeFalkner/videos for very slowmoving expressionist-folk horror-cinema arte povera-animist encounters and meditations.

— all images seen and all sounds heard during durational videorecording rituals

— special effects are analogue: in situ non-artificial intelligences are invited to make themselves known and shake the hand of chance

— all equipment is low-tech + bricolaged, dumpster-dived, and foraged

— the personhood and consent of all environments visited, greeted + respected

La grotte/the cave up now at: https://youtu.be/SPriTpZBq3w

La mousse/moss up now at: https://youtu.be/-_w80bM3CRE

Fontaine St. Michel up now at: https://youtu.be/hocFKh-BbEI

I mostly post to Instagram (@peregrine.falkner) and not Facebook for a variety of reasons--so subscribe to YouTube @SJudeFalkner or follow me on IG for best results !

exhibition + residency in l'occitanie

au Centre d’art et de photographique de Lectoure

résidence + exposition de Kahn & Selesnick et Sarah Falkner du 22 octobre au 3 décembre 2022

http://centre-photo-lectoure.fr/kahn-selesnick-et-sarah-falkner/

new project VADEMECUM 1.3: campus stellae, from the VADEMECUM/GOWITHME/VIENSAVECMOI series. The vade-mecum or vademecum has come to be a term used in both English and français for a book (or increasingly, other objects and devices) indispensable and to be frequently consulted, and especially that fits in a pocket on one's person--French and English etymology tells us that since the 17th century both languages used the Latin to describe essential guidebooks and such--vade mecum literally means "go with me" or "viens avec moi." I will be making little portable books of hours, narrative poem-sigils, and vellum illuminations (both goatskin and paper) from the Field of Stars (Campus stellae, aka Compostelle or Compostela) and its environs these next 6 weeks. For those in the Occitanie, come see the exhibition and residency!

click on image above to view next image in slideshow

some reviews + where to find the deck and book

Tarot of the Drowning World and its guidebook, Tarot du Monde Perdu, are now available to order online: http://kahnselesnick.biz/store Your posts and comments and reviews mean so much to us ! We are supergrateful for your tags and shares ! #tarotofthedrowningworld @kahnselesnick @peregrine.falkner

Coming this winter—pieces from A Book of Hours for the Cthulucene appear in:

Uni-Verse Poetry - Prints - Proofs by Visionary Humans edited by Anna Ehrsam and Katherine Jackson. Poets and artists in the book include Tom Sleigh, Rosanna Warren, Rowan Ricardo Phillips, Gail Mazur, Alan Shapiro, Roger Bonair-Agard, Elaine Equi, Mel Chin, Deborah Kass, Susan Bee, Michael Joaquin Grey, and Michael Rees.

“This book is a joy, a rare marvel, a true feast for the senses.” – Rowan Ricardo Phillips, poet, author of Living Weapon, 2013 Whiting Award winner, and professor at Williams College

“Many spreads in this volume embody Lawrence Ferlinghetti’s belief that ‘as long as there is poetry, there will be an unknown, as long as there is an unknown there will be poetry,’ by pairing works of art and poetry that at first look may be unknowable, but create synergy that stole my consonants: “Ooooh!” The oldest and youngest poets bounce off each other eloquently—96-year-old David Ferry, National Book Award winner, paints a stark evocation of a Walker Evans photograph, while Grace MacNair so accurately describes ‘The starlings—/out-swung in sheets’ in ‘The Shape of Air.’ Go spend good time with this volume, as it artfully makes the unknown more knowable.” – Tina Kelley, poet, author of Rise Wildly, and winner of a 2003 Washington State Book Award and a staff Pulitzer Prize at The New York Times

https://www.batteryjournal.org/uni-verse-poetry-prints-proofs-by-visionary-humans

BIG CHANGES COMING FOR 2020-2021!

In the meantime, herewith find SELECTED REVIEWS OF MADAME LULU’S BOOK OF FATE, the guidebook to Kahn + Selesnick’s Carnival at the End of the World Tarot now in revised and expanded second edition!

A few reviews in full can be found here:

Benebell Wen: https://benebellwen.com/2018/09/25/review-of-carnival-at-the-end-of-the-world-tarot/

Glamour Zombie: https://glamourzombie.tumblr.com/post/178734340222/embed

Coffee With the Fool: https://coffeewiththefool.com/blog/2018/2/23/deck-review-carnivalattheendoftheworld

Some recent pieces on goatskin vellum, paper and recycled Tyvek. Print project with BATTERY JOURNAL is coming soon!